Antinomian are the metamorphosis of Subvertio Deus. They are
certainly one of the forerunners in Occult/Spiritual Black Metal. The immense
atmosphere this duo creates in the name of the Void... is purely magical.
The first offering "The Incandescent Aberrance"
starts with a ritual ambient build-up towards a mid-paced invitation to
celebrate the womb, filled with the skillful trance-like riffs which were
present in Subvertio Deus- Psalms of Perdition. The vocals are greatly executed
with a guttural prayer technique that transports the listener subconsciously to
the ritual temple. There are a few moments where the vocals change into
hauntingly agonizing screams which embody the very essence of death. The drums
are versatile and played with precision. At 7:04 the speed subsides into a slow alternate picked
arpeggiated riff... This enhances the listener in a trance of devotion, after
which it returns to the mid-paced assault on the causal paradigm.
The second offering "Intergenesis of Chaos and
Void" starts with a slow voudon drum pattern on the toms, eerie alternate
picked riffs, murky in ambience, shadows it. From here on it shifts into a
doomy vibe with an alternate version of the riff, morphing in hypnotic melody
and harmony with great diverse drumming. Initially it breaks into mid-paced
frequencies once more, ranging from blasts to double bass patterns, always
keeping the riffs interesting and layered. At around 6:25 the format breaks into another alternate
riff filled with chaos. Moans from the abyss rejoice subtly in the background,
as the track reaches its climax- with great double bass variations underneath a
haunting tremolo picked riff and rhythmic foundation with the second guitar.
The format breaks with a superb low tempo riff on the low E string, ending the
brilliant structure on a high note.
The title offering "Nihilum Infandum" is a
mesmerizing instrumental, full of devotion, haunting chorus driven guitars
invokes the mysteries as the listener awaits the conclusion.
The fourth and final offering "Chained To The
Lifeless" starts with another short ambient piece which breaks into pure
annihilation of matter through chaotic structured riffs and drumming which are
far from conventional, keeping up with the diverse nature of the previous
works. This prayer offers intense redirection in terms of progression, creating
a storm of riffs complex and layered, dissonant in harmony and melody, breaking
away from the genetics of one dimensional Black Metal into a composition beyond
10 dimensions. At around 9:00
another break occurs into an alternate picked oblivion, chords ringing into the
psyche of the listener when suddenly, rhythmic palm muted riffs supports the
leads. It then emerges into double bass patterns with a great progression over
it, transforming yet again into uncomfortable formulations of sonic chaos which
make any mundane would lose their mind... The uncompromising complex
progressions take over in totality, breaking the confinements of matter,
eternally elevating the spirit.
This Opus was one of the best works I've heard this year. It
made me write my first review with great reason. Really transcendental work,
the devotion to the Womb is present...
For fans of Mortuus, Nightbringer, Fides Inversa and
Deathspell Omega-SMRC era.
My rating would’ve been 100% if the guitars were higher in
the mix. 95/100.
Review by Leighton Misticus: forestmist:bmetal@gmail.com
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